confessions

scapegoat

- Yazar -

  1. toplam entry 1138
  2. takipçi 1
  3. puan 58810

vampires will never hurt you

scapegoat
my chemical romance in i brought you my bullets you brought me your love albumunun en iyi $arkilarindan birisidir.sozleri ise $u $ekildedir;




and if they get me and the sun goes down into the ground
and if they get me take this spike to my heart and
and if they get me and the sun goes down
and if they get me take this spike and
you put the spike in my heart

and if the sun comes up will it tear the skin right off our
bones
and then as razor sharp white teeth rip out our necks i saw you
there
someone get me to the doctor, someone get me to a church
where they can pump this venom gaping hole
and you must keep your soul like a secret in your throat
and if they come and get me
you put the spike in my heart

and if they get me and the sun goes down
and if they get me take this spike and

can you take this spike?
will it fill our hearts with thoughts of endless
night time sky
can you take this spike?
will it wash away this jet black feeling?

and now the nightclub set the stage for this they come in pairs
she said
we’ll shoot back holy water like cheap whiskey they’re always
there
someone get me to the doctor, and someone call the nurse
and someone buy me roses, and someone burned the church
we’re hanging out with corpses, and driving in this hearse
and someone save my soul tonight, please save my soul

can you take this spike?
will it fill our hearts with thoughts of endless
night time sky
can you take this spike?
will it wash away this jet black feeling?

and as these days watch over time,
and as these days watch over time
and as these days watch over us tonight
and as these days watch over time,
and as these days watch over time
and as these days watch over us tonight
i’ll never let them, i’ll never let them
i’ll never let them hurt you now tonight
i’ll never let them, i can’t forget them
i’ll never let them hurt you, i promise

struck down, before our prime
before, you got off the floor
can you stake my heart? can you stake my heart?
can you stake me before the sun goes down?

honey this mirror isnt big enough for the 2 of us

scapegoat
my chemical romance in 2002 de cikarttigi i brought you my bullets you brought me your love albumunde guzel bir parcadir.sozleri ise $oyledir;



the amount of pills i’m taking
counteracts the booze i’m drinking
and this vanity i’m breaking,
let’s me live my life like this
and well i find it hard to stay,
with the words you say
oh baby let me in
oh baby let me in
well i’ll choose the life i’ve taken,
nevermind the friends i’m making
and the beauty that i’m faking
let’ me live my life like this
and well i find it hard to stay,
with the words you say
oh baby let me in
oh baby let me in
and you can cry all you want to i don’t
care how much

you’ll invest yourself in me,
we’re not working out
and you can’t touch my brother
and you can’t keep my friends
and we’re not working out,
we’re not working out
this time i mean it,
nevermind the times i’ve seen it

well i hope i’m not mistaken
by the news i heard from waking
and it’s hard to say i’m shaken,
by the choices that i make
and well i find it hard to stay,
with the words you say
oh baby let me in
oh baby let me in
well i’ll choose this life i’ve taken,
nevermind the friends i’m making
and i get a little shaken,
because i live my life like this
and well i find it hard to stay,
with the words you say
oh baby let me in
oh baby let me in
and you can cry all you want to i don’t
care how much

you’ll invest yourself in me,
and we’re not working out
we’re not working out
and you can’t keep my brother,
and you won’t fuck my friends
and we’re not working out,
we’re not working out
this time i mean it,
never mind the times i’ve seen it

never again,
never
never again
(and you can cry all you want to, i don’t
care how much
you’ll invest yourself in me)
never.. never... never... never again
(and you can cry all you want to, i don’t
care how much
you’ll invest yourself)
ne.. never... never... oh baby let me.. oh baby... oh baby
oh baby let me in
oh baby let me in
i’m knocking let me in
oh baby let me in
oh baby let me in
i’m knocking let me in
oh baby let me in
oh baby let me in

i brought you my bullets you brought me your love

scapegoat
my chemical romance in 23 temmuz 2002 de eyeball records etiketiyle ve geoff rickly produktorlugunde cikarttigi debut albumudur.album 11 parcadan olusmaktadir.albumdeki $arkilar ise sirasiyla $u $ekildedir;


1. romance akustik ve de sozsuz bir sarkidir, sadece tek bir akustik gitar kullanilmistir.
2. honey this mirror isnt big enough for the 2 of us
3. vampires will never hurt you
4. drowning lessons
5. our lady of sorrows
6. headfirst for halos
7. skylines and turnstiles
8. early sunsets over monroeville
9. this is the bast day ever
10. cubicles
11. demolotion lovers

slowdance on the inside

scapegoat
where you want to be albumunden hem sozleri hem de melodileriyle guzel bir taking back sunday $arkisidir.sozler ise $oyledir;



passed out in our school clothes so we’d wake up in our sunday’s best
i never asked for your opinion, i just got it and i get it
you move slow like daytime drama
and i’m boring like his songs
so while i’m taking you for granted
we’ll be humming along

well cross my heart and hope to
i’m lying just to keep you here
so reckless, so thoughtless, so careless

cross my heart and hope to
i’m lying just to keep you here
so reckless, so thoughtless
and i could care less

so paint your face up something elegant
and this time maybe a darker shade of red
cause a long night means a fist fight
against your pillow and my pearly whites
i want to hear you scream you like me better on my knees
so let us grieve
so let us grieve

don’t you ask me
don’t you fight

cross my heart and hope to
i’m lying just to keep you here
so reckless, so thoughtless
and i could care less

cross my heart and hope to
i’m lying just to keep you here
so reckless, so thoughtless
and i could care less

well cross my heart and hope to
i’m lying just to keep you here (i’ll keep you here, i’ll keep you here)

this glass house is burning down
you light the match, i’ll stick around
i’ll give you everything you want
and wish the worst of what i was

this glass house is burning down
you light the match, i’ll stick around
i’ll give you everything you want
and wish the worst of what i was

tonight won’t make a difference
tonight won’t make a difference
tonight won’t make a difference
well tonight won’t make a difference
well tonight won’t make a difference
tonight won’t make a difference
tonight won’t make a difference
well tonight won’t make a difference

little devotional

scapegoat
sozleriyle insani vuran a$k acisi varsa depre$tiren where you want to bealbumunden bir taking back sunday $arkisidir.sozler ise $oyledir;




well i’m blowing smoke out of your window
and you’re slipping back into your dress
you know you were always such a lady
i’ve always been impressed

but gentlemen
they don’t ask questions
just keep quiet
she’ll pay attention
gentlemen don’t ask questions
we could pay attention

i said, "i’m gonna have myself in shambles
before your folks are up and looking for some answers."
said, "i’m gonna have myself in shambles
before your folks are up and looking for some answers."

well i pictured you in blue
but i have to say i’m more partial to the red
deep, dark, and devastating
leaving no question as to where you’ve been

i calm the crowd by keeping quiet
move like a shadow up to your matress
gentlemen don’t ask questions
we could pay attention

do you think he’d be better (’cause we’re down for
competition)
doing what i do best?
do you think he’d be better (this could all be on purpose)
doing what i do best?

i said, "i’m gonna have myself in shambles
before your folks are up and looking for some answers."
said, "i’m gonna have myself in shambles
before your folks are up and looking for some answers."

do you think he’d be better
doing what i do best?
do you think he’d be better
doing what i do best?

do you think he’d be better (’cause we’re down for
competition)
doing what i do best?
do you think he’d be better (this could all be on purpose)
doing what i do best?

i said, "i’m gonna have myself in shambles
before your folks are up and looking for some answers."
said, "i’m gonna have myself in shambles
before your folks are up and looking for some answers."

said, "i’m gonna have myself in shambles
before your folks are up and looking for some answers."
said, "i’m gonna have myself in shambles
before your folks are up and looking for some answers."

number five with a bullet

scapegoat
where you want to be albumunden cok cok ho$ bir taking back sunday $arkisidir.sozler ise $u $ekildedir;




we’re gonna die like this you know
miserable and old
really gotta hand it to you
really gotta hand it to you
are you positive
absolutely sure
well just get dressed, don’t do this
just get dressed, don’t do this

spend the night lit listening to miles davis
you said it makes you want to fall in love
or be smart enough to keep your distance
you can’t decide, you can’t decide

we’re gonna die like this you know
miserable and old
really gotta hand it to you
really gotta hand it to you
(well just so you know)
are you positive
(when we get home)
absolutely sure
(we’re through)
well just get dressed, don’t do this
(we’re through)
just get dressed, don’t do this

it’s a long way back south
(to where i belong)
well you’ve been there once or twice
(and you still don’t like it)
i say you just never gave it a chance
(well give me a chance, give me a chance)
besides did you ever stop to think
that we could keep this up living like theives
(but you can’t decide)
you can’t decide
(no you can’t decide)
well you can’t decide

we’re gonna die like this you know
(we’re gonna die like this)
miserable and old
(miserable and old)
really gotta hand it to you
(miserable and old)
really gotta hand it to you
(well just so you know)
are you positive
(when we get home)
absolutely sure
(we’re through)
well just get dressed, don’t do this
(we’re through)
just get dressed, don’t do this

are you positive, absolutely sure
are you positive

we’re gonna die like this you know
miserable and old
really gotta hand it to you
really gotta hand it to you

well just so you know
(we’re gonna die like this you know)
when we get home
(miserable and old)
we’re through
(really gotta hand it to you)
we’re through
(really gotta hand it to you)

just so you know
(are you positive)
when we get home
(aboslutely sure)
we’re through
(just get dressed don’t do this)
we’re through
(just get dressed don’t do this)

well just so you know
(we’re gonna die like this you know)
when we get home
(miserable and old)
we’re through
(we’regonna die like this, miserable and old)
we’re through
(miserable and old)
well just so you know
(we’re gonna die like this you know)
when we get home
(miserable and old)
we’re through
(we’re gonna die like this, miserable and old)
we’re through

one eighty by summer

scapegoat
where you want to be albumunden en saglam taking back sunday parcalarindan biridir.sozler ise $oyledir;



go on just say it,
you need me like a bad habit,
one that leaves you defenseless, dependent, and alone.
go on just say it (are you afraid to),
you need me like a bad habit (say what you want to, tell me you
want to),
one that leaves you defenseless, dependent, and alone. (are you
afraid to say what you want to, tell me you want to).

i hold my tongue use it to assess,
the damage from way back when it mattered,
but nothing seems important anymore,
we’re just protecting ourselves from our self,
and i don’t think i’ll ever come back down (i don’t think
i’ll ever come back down),
i don’t think i’ll ever come back down (i don’t think
i’ll ever come back down),
i don’t think i’ll ever come back down (i don’t think
i’ll ever come back),
i don’t think i’ll ever come back.

are you ashamed to say what you want to tell me you want to.
are you ashamed to say what you want to tell me you want to.
(come on just say it) are you ashamed to (come on just say it)
say what you want to tell me you want to.
(come on just say it) are you ashamed to (come on just say it)
say what you want to tell me you want to.

i’m making the difference,
it just seems pointless,
with all the obvious lines all out of focus.
why can’t you just be happy,
why can’t you just be happy.
and i don’t think i’ll ever come back down (i don’t think
i’ll ever come back down),
i don’t think i’ll ever come back down (i don’t think
i’ll ever come back down),
i don’t think i’ll ever come back down (i don’t think
i’ll ever come back),
i don’t think i’ll ever come back...

(just come back, just come back...)
go on just say it, (just come back...)
come on just say it, (just come back...)
well i’ll just say it, (just come back...)
i’ll just say it, (just come back...)
i need you defenseless, dependent and alone.
(just come back, just come back, just come back...)
she says live up to your first impression,
well my best side was your worst invention,
can’t you live without the attention?
can’t you live without the attention?
(just come back, just come back, just come back...)
she says live up to your first impression,
well my best side was your worst invention,
can’t you live without the attention?
can’t you live without the attention?

she says live up to your first impression (come on, just say
it),
well my best side was your worst invention (come on, just say
it),
why cant you live without the attention (i need you defenseless,
dependent),
why can’t you live without the attention (alone).
she says live up to your first impression (i just say it),
well my best side was your worst invention (i just say it),
why cant you live without the attention (i need you defenseless,
dependent),
why can’t you live without the attention (alone),
why can’t you live (defenseless, dependent),
why cant you live (defenseless, dependent),
why can’t you live without, live without (defenseless,
dependent, defenseless, dependent),
why can’t you live (defenseless, dependent),
why can’t you live (defenseless, dependent),
why can’t you live without, live without (defenseless,
dependent, defenseless, dependent).

i am fred astaire

scapegoat
where you want to be albumunden saglam bir taking back sunday $arkisidir.sozler aynen $oyledir;




i’m under the assumption
that i’m gonna be the one thats leaving you
tonight, tonight...
well i flipped every switch
that i could find on my way out just to upset you more
(just to keep you busy) just to make you angry (just because you
were right) just because you were...

all tired scream safe haven,
let’s get this out and on the table...

fast forward to say four o’clock,
i’m keeping time, i’m holdin’, we’re always holdin’,
(we’re always holdin), we’re always holdin, holding out...
and that’s what got us here in the first place,
you should have never come here alone
(you should have never bothered at all), bothered at all...

scream older and wiser, still filled with resentment
we get it, we get it...oh (i haven’t been happier since)
older and wiser, still filled with resentment
we get it, we get it...oh, bree ann (i haven’t been happier
since, i haven’t been happier, not since.)

well five o’clock the floor caught fire with footsteps (my
footsteps)
and spread like a disease to the door
(i’m stuttering through it but i hear it) i-i-i hear its good
t-t-to stick to what you know
and you know a whole lot of this, it all could have been avoided
when
you were courtside for this nightmare,
well since then i got myself come and listen...

older and wiser, still filled with resentment
we get it, we get it...oh (i haven’t been happier since)
older and wiser, still filled with resentment
we get it, we get it...oh, bree ann (i haven’t been happier
since)

i haven’t been happier since (bree ann)
i haven’t been happier since (bree ann)
i haven’t been happier since (bree ann)
i haven’t been happier not since...

well, it used to take so much more (i used to, i used to too)

it used to take so much more (i used to, i used to too)
i used to, i used to too...

new american classic

scapegoat
where you want to be albumunden ho$ bir taking back sunday $arkisidir.sozleri ise $oyledir;




you’ve got to get better,
said, it’s all in your head,
we could live through these letters
or forget it altogether,
see the months they dont matter
its the days i can’t take
when the hours move to minutes
and i’m seconds away,

just ask the question come untie the knot
say you won’t care,
say you won’t care,
retrace the steps, as if we forgot,
say you won’t care,
say you won’t care,
you try to avoid it, but there’s not a doubt
and there’s one thing i can do nothing about...

when all that we need is just a reaction,
its too much to ask for when there’s no attraction anymore,
chasing our dreams is just a distraction
i want to remember what i know...
that i can’t go back,

just ask the question, come untie the knot
say you wont care
say you wont care
retrace the steps as if we forgot
say you wont care
say you wont care
you try to avoid it (try to avoid it)
but theres not a doubt
and theres one thing i can do nothing
theres one thing i can do nothing
theres one thing i can do nothing about

just ask the question (just ask the question)
come untie the knot
say you wont care
say you wont care
retrace the steps (retrace the steps)
as if we forgot
say you wont care
say you wont care
you try to avoid it (try to avoid it)
but theres not a doubt
and theres one thing i can do nothing
theres one thing i can do nothing
theres one thing i can do nothing about

this photograph is proof

scapegoat
taking back sunday in where you want to be albumunde ve ayni zamanda spiderman 2 soundtrack albumunde de yer alan gercek ismi this photograph is proof(i know you know) olan muthi$ $arkidir.sozler boyledir;



well, i’ll wait till you listen
i wont say a word
to follow your instincts
just never worked for me
your silent but strong, (yeah, i’m playing that card)
and your noticing nothing again

now i’m lying on the table
with everything you said
keeping mind the way that it felt
when the most i could do was to just blame myself

(yeah, i’m playing that card)
when the most i could do was to just blame myself
and i know you know, everything
i know you didnt mean it
i know you didnt mean it

i know you know, everything (drop everything)
i know you didn’t mean it (start it all over)
i know you didn’t mean it (remember more then youd like to forget)

so, we’re talking forever
and you almost feel better
but, betters no excuse for tonight
you see, it’s never been enough
just to leave all you gave up
but, its never good enough to feel right

now i’m lying on the table
with everything you said
it will all catch up eventually
well, it caught up and honestly
the weight of my decisions
were impossible to hold

today we’ll never know
today we’ll never know
well i, know you know, everything
i know you didnt mean it
i know you didnt mean it

i know you know, everything (drop everything)
i know you didn’t mean it (start it all over)
i know you didn’t meant it (remember more then youd like to forget)

drop everything, start it all over
remember more then youd like to forget [x2]

would you like to forget
would you like to forget
drop everything, start it all over
well, drop everything start it all over (would you like to forget)
drop everything start it all over
start it all...

well i, know you know, everything
i know you didnt mean it
i know you didnt mean it

i know you know, everything (drop everything)
i know you didnt mean it (start it all over)
i know you didnt meant it (remember more then youd like to forget)

i know you know
i know you know...you know, you know, you know...

bonus mosh pt 2

scapegoat
taking back sunday in where you want to be isimli 2. albumundeki 2. $arkidir.sozleri ise $u $ekildedir;



so, scream i heard about your message,
and how it reads of your indifference,
it bleeds horizontal straight from your wrist.
(so scream louder now)
i’m bound to come around about
(bound to come around)
but can not you, can not you feel it rolling off your lips,
tensing up your shoulders,
come on say it is...

[chorus]
well, it’s love (it’s love)
make it hurt (i deserve it)
well, it’s love (it’s love)
make it hurt (i deserve it)
well, it’s love, it’s love, it’s love...
make it hurt.

i said i use the inconsistencies
to undress the machine,
you’re the poster boy, their selling point, the focus for their
new campaign.
(something has to be done)
bound to come around about
(bound to come around)
oh, but can not you, can not you feel it rolling off your lips,

tensing up your shoulders, c’mon...

[chorus]

the keys to the castle
(are right where i left them)
the princess walked in just to take more attention,
’cause after all, well isn’t that all that i’ve been after and,

after all, well isn’t that all that i’m after,
you’re so...

(no way out) i’ll give up in you, i’ll give up in you,
(no way out) i’ll give up in you.
(no way out) i’ll give up in you, i’ll give up in you,
(no way out) i’ll give up in you.

i wanted you for nothing more,
than hating you for what you were,
if that’s what you wanted to hear,
(well, if that’s what you wanted to hear)
i wanted you for nothing more,
than hating you for what you were,
(don’t leave, leave) if that’s what you wanted to hear,
(if that’s what you wanted to hear)
i wanted you for nothing more,
than hating you for what you were,
(don’t leave, leave) if that’s what you wanted to hear,
(if that’s what you wanted to hear)
(it’s love, it’s love) i wanted you for nothing more,
(make it hurt, i deserve it) than hating you for what you were,

(if that’s what you wanted to hear)
that’s what you wanted to hear,
(to hear) if that’s what you wanted to hear.
(if that is how you’ll let it burn)

set phasers to stun

scapegoat
2004 ciki$li where you want to be albumunden bir taking back sunday $arkisidir.sozleri $u $ekildedir;




say yes, say yes, say yes, say yes
say yes, say yes, say yes, say yes

i’m sorry it took me so long
i’m sorry it took me so long (to come around)
i’m sorry it took me so long (to come around)

your famous last words started once your fingers hit the snooze
just nine more minutes, please..
(and they) they all know where to find me
every word that i said, what a big mistake
it’s the words you left out, that’s keeping me away

well i will never make another promise (without you)
i will never make another promise (with you in mind)

so pace the stairs to your apartment
like it’s where you wanna be
(where you wanna be)
it’s where you wanna be
(where you wanna be)

i’m sorry it took me so long
i’m sorry it took me so long (to come around)
i’m sorry it took me so long (to come around)

well theres a secret i’ve been perfecting,
i swore i wouldn’t but you let me
i’m comfortably confused
(and you...) you’ve gotten so removed
you know i, i could take the place of those pills
ocean blue, paint it white
now who ya gonna call tonight?

well i will never make another promise (without you)
i will never make another promise (with you in mind)

so pace the stairs to your apartment
like it’s where you wanna be.
(where you wanna be)
it’s where you wanna be
(where you wanna be)

so pace the stairs to your apartment
like it’s where you wanna be.
(where you wanna be)
it’s where you wanna be
(where you wanna be)

we paint our sins on the ceiling
i keep them glued to my chest
it keeps me close like a promise kept
(say yes, say yes, say yes, say yeah)

if i talk in my sleep, will you just keep trying? (we paint our sins on the ceiling),
i’ll give it up, if you just keep trying (well i keep them glued to my chest),
if i talk in my sleep, if i talk in my sleep, it’s gone (it keeps me close like a promise kept).
(say yes, say yes, say yes, say yes)
i’m sorry it took me so long
(say yes, say yes, say yes, say yes)
i’m sorry it took me so long
so pace the stairs to your apartment
(will you stop me, i just wanna know?)
(i’m sorry it took me so long)
like its where you wanna be
(will you stop me, i just wanna know?)
where you wanna be

where you want to be

scapegoat
27 temmuz 2004 te victory record yapimciliginda piyasaya cikan taking back sunday albumudur.bu albumdeki this photograph is proof (i know you know) isimli $arki spiderman 2 soundtrack albumunde de yer almi$tir.album ciktigi ilk haftada 163.000 satarak iyi bir ivme yakalami$tir.albumde yer alan $arkilar ise $u $ekildedir;


1. set phasers to stun
2. bonus mosh pt 2
3. a decade under the influence
4. this photograph is proof (i know you know)
5. the union
6. new american classic
7. i am fred astaire
8. one eighty by summer
9. number five with a bullet
10. little devotional
11. slowdance on the inside

japonya ya ihrac cd lerdeki bonus track ise;

12. your own disaster


bu albumdeki grup kadrosu ise $u $ekildedir;
eddie reyes-gitar
fred mascherino-gitar,vokal
adam lazzara-vokal,gitar
matt rubano-bas gitar
mark o connell-davul,perkusyon
43 /

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