gunumuz progresif rock ve metal muziginin isvec’ten yukselen degeri. duygu ve teknigin, sosyal olgular, kuresel degerler ve insan psikolojisi ile mukemmel birlesimi. topluluk bugune kadar alti album ve bir ep yaratti ve son olarak da yunan metal hammer dergisinin ozel hazirladigi bir toplama album ile dunyanin bircok ulkesinde yayimlanan sample albumlerine bir yenisini daha ekledi.
solist/gitarist/besteci daniel gildenlow tarafindan 1984 yilinda,henuz 11 yasindayken reality adiyla kuruldu. aradan gecen basari dolu birkac yildan sonra toplulukta kadro ve muzikal bir degisim yasandi. tarzlari rock’tan metale kaydi ve isimlerini pain of salvation olarak degistirdiler. simdi ise muzikleri daha da degisime ugradi ve daha progresif ve benzersiz bir hal aldi. funk etkiler, muziklerindeki zitlik ve acik fikirlilik, onlarin en belirgin ozelligi oldu.
1996 yilinda fredrik hermansson klavyeci olarak gruba katildi ve 1997’nin ilk yarisinda hazir kadrosuyla ilk albumlerini kaydetti; “entropia”. album ilk olarak japonya’da avalon / marquee tarafindan yayimlandi. album cok ilgi gordu, cok iyi yorumlar aldi ve uzerinden bir yil bile gecmeden, dunyanin ilgisini progresif muzige ceviren “one hour by the concrete lake”i kaydetti. album tum dunyadan cok iyi elestiriler aldi ve “entropia” ile birlikte tekrar yayimlandi. 1999 yilinda threshold (ingiltere) ve eldritch (italya) ile birlikte bir avrupa turnesine cikti ve seyirciden buyuk bir ilgi gordu.
2000 yilinda grup, sadece progresif degil, tum dunya muzik piyasasi tarafindan saygi goren “the perfect element, part 1”i yayimladi ve ayni anda arena (ingiltere) ile bir avrupa turnesine cikti. ardindan gelen ’12:5’ ve ’be’ albumleri ile konumunu iyice belirledi, pekistirdi...
(bkz: daniel gildenlow)
(bkz: Fredrik Hermansson)
(bkz: johan langell)
(bkz: kristoffer gildenlow)
(bkz: johan hallgren)
pain of salvation’in dinlendikce dinlenen parcasi...
spring came with awakening, came with innocense and joy
spring came with fascination and desire to deploy
summer came with restlessness and curiousity
summer came with longing for the things we could not be
take me to the forest, take me to the trees
take me anywhere as long as you take me
take me to the ocean, take me to the sea
take me to the breathe and be
autumn came with knowledge, came with ego came with pride
autumn came with shamefulness for the things we could not hide
winter came with anger and a bitter taste of fate
winter came with fear for the things we could not escape
take me to the forest, take me to the trees
take me anywhere as long as you take me
take me to the ocean, take me to the sea
take me to the breathe and be
teach me of the forest, teach me of the trees
teach me anything as long as you teach me
teach me of the ocean, teach me of the sea
teach me of the breathe and be
see me! i am the one creation
hear me! i am all the love that came from animae
know me! i am the incarnation
fear me! i am all the power held by animae
me!
give me of the forest, give me of the trees
give me anything as long as it’s for me
give me of the ocean, give me of the sea
give me of the breathe and be
give me all the forests, give me all the trees
give me everything as long as it’s for free
give me all the oceans, give me all the seas
give me all the breathing be...
spring came with awakening, came with innocense and joy
spring came with fascination and desire to deploy
summer came with restlessness and curiousity
summer came with longing for the things we could not be
take me to the forest, take me to the trees
take me anywhere as long as you take me
take me to the ocean, take me to the sea
take me to the breathe and be
autumn came with knowledge, came with ego came with pride
autumn came with shamefulness for the things we could not hide
winter came with anger and a bitter taste of fate
winter came with fear for the things we could not escape
take me to the forest, take me to the trees
take me anywhere as long as you take me
take me to the ocean, take me to the sea
take me to the breathe and be
teach me of the forest, teach me of the trees
teach me anything as long as you teach me
teach me of the ocean, teach me of the sea
teach me of the breathe and be
see me! i am the one creation
hear me! i am all the love that came from animae
know me! i am the incarnation
fear me! i am all the power held by animae
me!
give me of the forest, give me of the trees
give me anything as long as it’s for me
give me of the ocean, give me of the sea
give me of the breathe and be
give me all the forests, give me all the trees
give me everything as long as it’s for free
give me all the oceans, give me all the seas
give me all the breathing be...
pain of salvation’un be albumundeki ilk parcasi.
i am
i am
i am
i was not
then i came to be
i cannot remember not being
but i may have traveled far
very far
to get here
maybe i was formed in this silent darkness
from this silent darkness
by this silent darkness
to become is just like falling asleep
you never know exactly when it happens
the transition
the magic
and you think, if you could only recall that exact moment
of crossing the line
then you would understand everything
you would see it all
perhaps i was always
forever here...
and i just forgot
i imagine eternity would have that effect
would cause a certain amount of drifting
like omnipresence would demand omniabsence
somehow i seem to have this predestined hunger for knowledge
a talent for seeing patterns and finding correlations
but i lack context
who i am?
in the back of my awareness i find words
i will call myself...
god
and i will spend the rest of forever
trying to figure out who i am.
i am
i am
i am
i was not
then i came to be
i cannot remember not being
but i may have traveled far
very far
to get here
maybe i was formed in this silent darkness
from this silent darkness
by this silent darkness
to become is just like falling asleep
you never know exactly when it happens
the transition
the magic
and you think, if you could only recall that exact moment
of crossing the line
then you would understand everything
you would see it all
perhaps i was always
forever here...
and i just forgot
i imagine eternity would have that effect
would cause a certain amount of drifting
like omnipresence would demand omniabsence
somehow i seem to have this predestined hunger for knowledge
a talent for seeing patterns and finding correlations
but i lack context
who i am?
in the back of my awareness i find words
i will call myself...
god
and i will spend the rest of forever
trying to figure out who i am.
pain of salvation 2oo4 eylul ayinda cikardiklari 15 parcadan olusan albumu.
(bkz: animae partus)
(bkz: deus nova)
(bkz: imago)
(bkz: pluvius aestivus)
(bkz: lilium cruentus)
(bkz: nauticus)
(bkz: dea pecuniae)
(bkz: vocari dei)
(bkz: diffidentia)
(bkz: nihil morari)
(bkz: latericius valete)
(bkz: omni)
(bkz: iter impius)
(bkz: martius nauticus ii)
(bkz: animae partus ii)
(bkz: animae partus)
(bkz: deus nova)
(bkz: imago)
(bkz: pluvius aestivus)
(bkz: lilium cruentus)
(bkz: nauticus)
(bkz: dea pecuniae)
(bkz: vocari dei)
(bkz: diffidentia)
(bkz: nihil morari)
(bkz: latericius valete)
(bkz: omni)
(bkz: iter impius)
(bkz: martius nauticus ii)
(bkz: animae partus ii)
pain of salvation’in be albumundeki mukemmel otesi sarkisi...
i woke up today
expecting to find all that i sought
and climb the mountains of the life i bought
finally i’m at the top of every hierarchy
unfortunately there is no one left
but me
i woke up today
to a world that’s ground to dust, dirt and stone
i’m the king upon this withering throne
i ruled every forest, every mountain, every sea
now there’re but ruins left to rule for me
and.. you see, it beckons me;
life turned its back on us
how could you just agree?
how? i just don’t see...
i woke up today
to a world devoid of forests and trees
drained of every ocean, every sea
just like a useless brick upon the shore
the morning after the storm
that swept the bridge away
relentless tide
no anger
just this relentless time
that calls us all on
but..
i’m never crossing that line
leaving this world behind
i will stay on my own
on this bloodstained throne
i rule the ruins and wrecks
and the dust, dirt and stone
i rule rage rod and rattling of bones
i am on my own
i am all alone
everything is gone
stuck forever here
already cold
i’m never crossing that line
leaving this world behind
i will stay on my own
on this bloodstained throne...
i’m never crossing that line
leaving this world behind
i will stay on my own
on this bloodstained throne
i rule the ruins and wrecks
and the dirt and the dust and the stone
i’m the ruler of rage rod and rust
and the rattling of bones
ruler of ruin
i rule the ruins ..
i woke up today
expecting to find all that i sought
and climb the mountains of the life i bought
finally i’m at the top of every hierarchy
unfortunately there is no one left
but me
i woke up today
to a world that’s ground to dust, dirt and stone
i’m the king upon this withering throne
i ruled every forest, every mountain, every sea
now there’re but ruins left to rule for me
and.. you see, it beckons me;
life turned its back on us
how could you just agree?
how? i just don’t see...
i woke up today
to a world devoid of forests and trees
drained of every ocean, every sea
just like a useless brick upon the shore
the morning after the storm
that swept the bridge away
relentless tide
no anger
just this relentless time
that calls us all on
but..
i’m never crossing that line
leaving this world behind
i will stay on my own
on this bloodstained throne
i rule the ruins and wrecks
and the dust, dirt and stone
i rule rage rod and rattling of bones
i am on my own
i am all alone
everything is gone
stuck forever here
already cold
i’m never crossing that line
leaving this world behind
i will stay on my own
on this bloodstained throne...
i’m never crossing that line
leaving this world behind
i will stay on my own
on this bloodstained throne
i rule the ruins and wrecks
and the dirt and the dust and the stone
i’m the ruler of rage rod and rust
and the rattling of bones
ruler of ruin
i rule the ruins ..
(bkz: hasret)
mahsun kirmizigul’un albumunun ismi ve albumundeki ilk parcasi..
adem havvadan geldik
boyle dogdu kardeslik
hani eleleydik
nerde sevgi baglari
nerde insan haklari
talan olmus yurtlari
bitmiyorki batinin
cikarli arzulari
incil zebur tevratda
hak dinimiz kuranda
hangi kitapta yazar
insanlik son planda
bedenler kursun dolu
durduran yok ki bunu
gucu yeten yetene
nerde insan haklari ...
adem havvadan geldik
boyle dogdu kardeslik
hani eleleydik
nerde sevgi baglari
nerde insan haklari
talan olmus yurtlari
bitmiyorki batinin
cikarli arzulari
incil zebur tevratda
hak dinimiz kuranda
hangi kitapta yazar
insanlik son planda
bedenler kursun dolu
durduran yok ki bunu
gucu yeten yetene
nerde insan haklari ...
(bkz: insan haklari)
(bkz: insanlar hep tersine)
neseli olun’ki genc kalasiniz.
ayca tekindor’un hareketli parcasi...
ona buna herkese her seyi soledim cekicek kulaklarimi
bide gectimi karsima oyle bir ofkeli isirir yanaklarimi
niye cekip gittim o vakit bittim yokki caresi
onu rezil ettim kabul ettim kirdim kalbini
ariyor beni yana yana dilim herzaman oldu bela
oda kizdi tek bir lafa geldi doldurusa
lami cimi yok bu defa....
seke seke ceke ceke geldik bugune
hic mi gulmez su talih yuzume
orda burda sagda solda
yaptin bizi aleme madara....
ona buna herkese her seyi soledim cekicek kulaklarimi
bide gectimi karsima oyle bir ofkeli isirir yanaklarimi
niye cekip gittim o vakit bittim yokki caresi
onu rezil ettim kabul ettim kirdim kalbini
ariyor beni yana yana dilim herzaman oldu bela
oda kizdi tek bir lafa geldi doldurusa
lami cimi yok bu defa....
seke seke ceke ceke geldik bugune
hic mi gulmez su talih yuzume
orda burda sagda solda
yaptin bizi aleme madara....
muslum gurses’in nacizane parcasi...
sevmek kolay degil basa gelmesin
umitsiz bir aska kimse dusmesin
tanrim kimseye boyle bir dert vermesin
ben askin kahrini cekemez oldum
bende seviyordum delicesine
inanmisim meger kalpsiz birine
simdi agliyorum kendi halime
ben askin kahrini cekemez oldum
ne sevgi ne dosttan yuzum gulmedi
canim dediklerim kiymet bilmedi
agladi gozlerim yasi dinmedi
ben askin kahrini cekemez oldum..
sevmek kolay degil basa gelmesin
umitsiz bir aska kimse dusmesin
tanrim kimseye boyle bir dert vermesin
ben askin kahrini cekemez oldum
bende seviyordum delicesine
inanmisim meger kalpsiz birine
simdi agliyorum kendi halime
ben askin kahrini cekemez oldum
ne sevgi ne dosttan yuzum gulmedi
canim dediklerim kiymet bilmedi
agladi gozlerim yasi dinmedi
ben askin kahrini cekemez oldum..
(bkz: deprem dede)
(bkz: vibrator)
avrupa kalkinma programi.
(bkz: european recovery program)
gectigimiz gunlerde cezaevinden cikmis olan sarkici.
tire’de dogdu.ilk ney derslerini izmir’de sencer derya’dan aldi. akademik muzik egitimini itu turk muzigi devlet konservatuari’nda 1984 yilinda tamamladi. bu donem icinde basta neyzen fuat turkelman olmak uzere degerli pek cok hoca ile calisti.sazi ile bircok resital ve solo konserler veren 18. istanbul festivali’ne ud sanatcisi samim karaca ile katilarak calismalarini ilk kez uluslar arasi platformda degerlendirdi.
ney sazini ve klasik turk muzigi’ni genc kusaklara gereken hassasiyetle tanitabilmek amaci ile 1980’li yillarindan bu yana universitelerde genclere yonelik konserler hazirladi.
1983 yilinda istanbul devlet klasik turk muzigi korosu’nda saz sanatcisi olarak goreve basladi.
1990 yilinda birol yayla ile birlikte olusturduklari, “yansimalar” adli toplulukla katildiklari pek cok konser ve dinletilerde kendilerine ait muziklerin yani sira geleneksel turk muzigi eserlerine de yer vermislerdir. bu toplulukla turkiye icinde ve turkiye disinda pek cok festival konserine katildilar. (amerika, fransa, almanya, belarus, sudan ,misir, tunus,bahreyn). ayni toplulukla 1991 yilinda “yansimalar”, 1995 yilinda “bab-i esrar”, 2000 yilinda “serzenis”, 2001 yilinda “”vuslat” adlarinda dort albumleri yayinlandi.
ayrica 1996 – 2002 yillari arasinda bir grup arkadasi ile olusturdugu “bezmara” muzik toplulugu ile donemin calgilari ile 1500 – 1750 yillarina ait eserleri yorumladiklari konserler verdiler. bu calismalarindan ornekleri “topkapi’nin ihtisami”(1998) ve “yitik sesin pesinde” (2000) adli albumlerde topladilar.
bunu disinda birol yayla ile birlikte yorumcu olarak kendilerinin de bulundugu projelerinde samim karaca, taner sayacioglu ve lutfiye ozer’le birlikte geleneksel turk muzigi’ne ait ornekleri “mahur”(1997) ve “miras”(2000) adli albumlerde topladilar.
birol yayla ile birlikte munip utandi’nin ilk solo albumu olan “aynalikavak’tan kalamis’a”, buyuk tanbur ustasi necdet yasar’in turkiye’de yayinlanan ilk albumu “gecmisten bugune necdet yasar” albumlerini projelendirmis ve yapimciliklarini ustlenmislerdir.
1999 – 2000 yillari arasinda brt televizyonu’nda birol yayla ile birlikte “gelenekten gelecege yansimalar “ programini hazirlayip sundular. 60 bolum devam eden bu programlarinda degerli pek cok muzisyen ile beraber oldular.
muzik danismanliginda hazirlanan “neyzen tevfik” 2001 yilinda, babasi lutfi filiz’e ait bestelerin yer aldigi “noktanin sonsuzlugu” isimli ilahiler albumu 2002 yilinda yayinlanmistir.
ney sazini ve klasik turk muzigi’ni genc kusaklara gereken hassasiyetle tanitabilmek amaci ile 1980’li yillarindan bu yana universitelerde genclere yonelik konserler hazirladi.
1983 yilinda istanbul devlet klasik turk muzigi korosu’nda saz sanatcisi olarak goreve basladi.
1990 yilinda birol yayla ile birlikte olusturduklari, “yansimalar” adli toplulukla katildiklari pek cok konser ve dinletilerde kendilerine ait muziklerin yani sira geleneksel turk muzigi eserlerine de yer vermislerdir. bu toplulukla turkiye icinde ve turkiye disinda pek cok festival konserine katildilar. (amerika, fransa, almanya, belarus, sudan ,misir, tunus,bahreyn). ayni toplulukla 1991 yilinda “yansimalar”, 1995 yilinda “bab-i esrar”, 2000 yilinda “serzenis”, 2001 yilinda “”vuslat” adlarinda dort albumleri yayinlandi.
ayrica 1996 – 2002 yillari arasinda bir grup arkadasi ile olusturdugu “bezmara” muzik toplulugu ile donemin calgilari ile 1500 – 1750 yillarina ait eserleri yorumladiklari konserler verdiler. bu calismalarindan ornekleri “topkapi’nin ihtisami”(1998) ve “yitik sesin pesinde” (2000) adli albumlerde topladilar.
bunu disinda birol yayla ile birlikte yorumcu olarak kendilerinin de bulundugu projelerinde samim karaca, taner sayacioglu ve lutfiye ozer’le birlikte geleneksel turk muzigi’ne ait ornekleri “mahur”(1997) ve “miras”(2000) adli albumlerde topladilar.
birol yayla ile birlikte munip utandi’nin ilk solo albumu olan “aynalikavak’tan kalamis’a”, buyuk tanbur ustasi necdet yasar’in turkiye’de yayinlanan ilk albumu “gecmisten bugune necdet yasar” albumlerini projelendirmis ve yapimciliklarini ustlenmislerdir.
1999 – 2000 yillari arasinda brt televizyonu’nda birol yayla ile birlikte “gelenekten gelecege yansimalar “ programini hazirlayip sundular. 60 bolum devam eden bu programlarinda degerli pek cok muzisyen ile beraber oldular.
muzik danismanliginda hazirlanan “neyzen tevfik” 2001 yilinda, babasi lutfi filiz’e ait bestelerin yer aldigi “noktanin sonsuzlugu” isimli ilahiler albumu 2002 yilinda yayinlanmistir.
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